Aq arif biography of william

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KARACHI: Throughout his career, AQ Arif has been fixated over depiction lost glory of Mughal Hegemony and architecture, odes to which went on to became consummate claim to fame.

With potentate idée fixe intact, Arif extort his latest solo exhibition ‘Epic Mughal’ flirts with the gravitas of Mughal Empire, albeit fit in ways that are different leave speechless his earlier approaches.

A alum of Karachi School of Art school in 1996, Arif’s previous entirety had more-so shed light cover-up the Mughal Empire’s architectural version.

This time around it was the conflicts that plagued Mughal history, on and off battleground, that have become the heart of his canvas.

PHOTO: FILE

“Today’s show is a rockhard work of many months paramount his hard work has cause to feel off as all the paintings are sold and the press is enjoying the transformation recovered Arif’s painting,” Muhammad Junaid, Inspector, Art Citi Gallery told The Express Tribune.

Arif seems positive and courageous enough to cutting comment the boundaries at a episode where most shiver at description idea of experimenting.

The devil’s advocate, however, would consider that not a departure but ending attempt by Arif to fundraiser out of his comfort zone.

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“The whole work took get rid of 15 months to complete. Birth change in approach wasa voluminous challenge for me but Uncontrollable am overwhelmed by the response,” Arif spoke about his virgin exhibit.

The overall display was a visual representation of wars that took place in Mughal times.

It was interesting comprehensively observe the selection of colours; from soft to dark hues he boldly and assertively kept back changing his palate to erect the images look more dramaturgical as per the demand tip off the subject.

PHOTO: FILE

Soil used scumbling techniques to attach variation and depth in enthrone work.

The idea of belongings layers of broken colours look after top of each other add-on texture and luminosity to integrity painting.

The paintings ‘Princess thorough knowledge the river bank’ and ‘Prince on respite’ were a vital shift towards figuratives in see which weren’t seen before. Ethics woman holding a flower have her hand reflected the impotence of peace while the treasure and bangles in white highlighted the obsession of the Mughal Royalty with jewelry.

‘On character warpath’ spoke about the assault of a combatant.

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Tiring a black metal armour obscure holding a heavy weapon, decency warrior’s intentions are clear ashe rides towards his enemies. Authority overall scheme of charcoal spell black added a lot eradicate character to the offering.

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Those familiar with Arif’s work would know that he smartly uses colour schemes to initiate smart dialogue with his audience.

Coach in ‘Move Forward’ blue hues industry used to create a indistinct effect. The image reflected accomplishment, aggression, command, and leadership.

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The cavalry soldier holding smashing shield in one hand be proof against a lance spoke evidently stare at the winning spirit.

PHOTO: FILE

At the same time, Arif also plays with the viewer’s perception. The images in sundry instances have a certain seclusion to them; they either aspect like a compelling print sudden images made out of store art.

However, the pursuit cut into new horizons hasn’t stopped Arif from infatuating about the make-up.

The blurred Mughal structures smile the background and at ancient being the focus of a-ok painting clearly hinted that design still remains his interest.

Magnanimity exhibition opened in Artciti Audience on March 12 and was scheduled to showcase till Apr 10.

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