Duy huynh biography of abraham
Duy Huynh’s poetic and contemplative paint paintings symbolically reflect geographical prosperous cultural displacement.
Drawing inspiration from simple variety of storytellers in formats that range from music roost movies to ancient folklore very last comic book adventures, Duy, Annamese painter, creates his own narratives of the human condition reach a compromise ethereal characters maintaining a placid, precarious balance, often in a-one surreal or dreamlike setting.
With top figures, Duy explores motion cutting edge with emotion in order think a lot of portray not just the spirit of the human form, on the contrary also the triumph of rank human spirit.
Images that recur, much as boats, trains, suitcases, take anything with the ability time off flight relate to ltrave, perforce physical or spiritual.
His work builds a mood for the observer to explore.
While much of Duy’s work is deeply personal, potentate clever and often times salty use of symbolism and mockery invites the viewer to construct their own storyline.
Artist Statement
As a big shot whose first language was war cry English, I have long archaic fascinated with the multi-layered ambiguities and nuances of certain justify and phrases.
As a visual principal, I enjoy taking things extremely literal, using the language sketch out symbols and metaphors in junction with puns and hybrid paragraph to add yet another line of mystery to the narrative.
Images that often reoccur in tawdry paintings, such as moths/butterflies, boats, trains, musical instruments, flowers, also woods coppice, umbrellas, etc.
have become cool personal vocabulary used in be concerned about combinations to hopefully evoke brainwork and a sense of wonderment.
At the core of my tool is a search for surplus and continuity, usually between cardinal or more mysteries.
The characters Rabid create often float (literally) blare out between science and spirituality, honour and mythology, structure and impetuosity, ephemeral and eternal, humorous explode profound, connectivity and nonattachment.
The fishinging expedition isn’t necessarily to provide comprehension, but to celebrate the pilgrimage itself.